The red badge is a modern cultural relic about 50 years ago. There are not many imitations. In the 1990s, there were a large number of imitations. However, due to rough production and inconsistent materials, people with a little collection knowledge can easily distinguish the true from the false.

The most used materials are aluminum, followed by porcelain and plastic, less gold, silver, copper, jade, shell glass, etc.

Xiangzhang has a large quantity in the world, but its value is generally not high. The currency price of ordinary products ranges from 5 yuan to 10 yuan, and that of slightly better products ranges from 30 yuan to 50 yuan. The average price of good varieties with characteristics is more than 100 yuan, that of factional seals is more than 100 yuan, and that of special varieties is more than 1000 yuan. Finished set of chapter, there are themes and content, good price in thousands of yuan. At present, there are not many varieties whose price is above ten thousand yuan.

Red badges usually refer to a small number of badges made before and after the founding of the people's Republic of China, as well as a large number of badges made between 1966 and 1979. There are a large number and a wide variety of products in the world, and the producing areas involve various provinces, cities, towns, districts and counties, and many units.

Because the price of the stamp is still low, and it often appears in the market, collectors can consider absorbing good varieties for collection.

The small investment at present will pay off handsomely in many years.

I've kept these three badges for many years. They have always been separated. I didn't find any connection between them. Today, when I was sorting out the badges, I found that all the three badges have one thing in common. In the lower part of the front, there are "red flowers of Northeast China", which forms a series of badges.

The fun of collecting lies in the constant discovery and integration. It not only enriches personal spare time life, but also improves the artistic conception of collection.